Wireless Mic & Projector Rental for Grease
Starting point: Most productions of Grease need 16 to 20 wireless channels. Our starting point is the Standard 20-channel system, which covers the Burger Palace Boys, the Pink Ladies and the featured adults. Grease School Version uses the same cast, and Grease Young@Part usually fits in 16 channels.
This is our suggested starting configuration, not a requirement of the show or its licensor. Your count depends on your edition, your staging and your crew.
How we got to 20 channels
Grease is built on two singing gangs, so almost every featured student needs a channel. A typical plan:
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Principals (10): Danny, Sandy, Rizzo, Kenickie, Frenchy, Marty, Jan, Roger, Doody, Sonny
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Featured roles (6 to 8): Patty Simcox, Eugene, Miss Lynch, Vince Fontaine, Teen Angel, Cha-Cha, Johnny Casino
Cover the rest of the Rydell ensemble in “Born to Hand Jive” and “We Go Together” with area mics.
This count assumes: every listed role has its own transmitter; your venue covers big ensemble numbers with area or choir mics; and there are no pack swaps. Doubling roles or swapping packs lowers the count. Miking ensemble members individually raises it.
Doubling, pack swaps and your sound operator
Two actors can share a transmitter only if they are never on stage at the same time and a crew member has time offstage to move the pack, re-fit the mic and check it. Every channel also needs attention at the mixer: one operator following a marked script can run a show this size, but bring them into rehearsals before tech week.
Recommended package
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Wireless: Standard, Good (Shure SLXD), 20 channels, with Broadway lavs: $1,995/week. Book this exact system at Broadway Media →
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Better microphones: the same 20 channels in Better (Shure QLXD or Sennheiser EW-DX) is $2,995/week, and Best (Shure ULXD) is $3,995/week. Better → Best →
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Protection plan (required): choose one at checkout at Broadway Media: a Damage Waiver at 10% of the rental ($199.50 on the Good system for one week), your organization’s certificate of insurance, or a security deposit. Compare the options →
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Shipping and longer runs: shipping is charged at checkout at Broadway Media. Each extra week is the same weekly rate, with no multi-week discount.
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You provide: a mixer with 20 free mic inputs and a sound system. Economy is the only system that includes a mixer, so a Standard system connects to yours. Check your venue →
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Range: add a wireless expansion pack (from $195/week) for each 8 channels if performers work more than about 50 ft from the rack, such as in the house aisles. View expansion pack →
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Projector: Rydell High, the Burger Palace and the drive-in all work well as projected backdrops. Start with your screen width, then check mounting distance and stage light on the projector page. Compare projectors →
Mic notes for Grease
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Hand jive and dance numbers: secure every pack in a mic belt; the choreography is constant.
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Greased hair: pomade and hairspray clog mic heads; use moisture covers and keep spares.
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Leather jackets: pack placement at the back waistband under a jacket works well; check during fittings.
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“Greased Lightnin’”: if the car is pushed on, keep pack cables clear of the car frame.
Projecting Rydell High
Scenery is licensed separately from the projector rental. Search Broadway Media’s catalog for your version of the show, then rent a projector to run it. Search scenery at Broadway Media →
Timeline
Pick a start Monday on or before the first rehearsal that needs mics. Broadway Media targets delivery by 5 p.m. local time that Monday, so plan setup and a full test during business hours that week, and book an extra week if you need the gear sooner. Book at least 9 days ahead; orders placed within 4 weeks of the start date may carry a rush charge. How renting works →
Request a quote for your Grease production →
Grease is a trademark of its owners. Rent Stage Gear is not affiliated with or endorsed by the show’s licensor. Photo: Grease Young@Part at StageSchool Ireland, from Broadway Media’s production gallery.