Most productions of Annie need 12 to 16 wireless channels. Our starting point is the Standard 16-channel system. Annie JR. with a smaller cast usually fits in 12 channels.

Most productions of Into the Woods need 16 to 20 wireless channels. Our starting point is the Standard 20-channel system. Into the Woods JR. usually fits in 12 to 16 channels.

Most productions of Disney’s The Little Mermaid need 16 to 20 wireless channels. Our starting point is the Standard 20-channel system. The Little Mermaid JR. usually fits in 12 to 16 channels.

Most productions of Shrek The Musical need 16 to 20 wireless channels. Our starting point is the Standard 20-channel system, which covers the leads plus the featured fairytale creatures. Shrek The Musical JR. usually fits in 12 to 16 channels.

Most productions of Disney’s Beauty and the Beast need 16 to 20 wireless channels. Our starting point is the Standard 16-channel system for a typical cast, or 20 channels if the Silly Girls and featured villagers sing solo lines. Beauty and the Beast JR. usually fits in 12 to 16 channels.

Most productions of Disney’s Frozen need 16 to 20 wireless channels. Our starting point is the Standard 20-channel system. Frozen JR. usually fits in 12 to 16 channels.

Most productions of Mamma Mia! need 12 to 16 wireless channels. Our starting point is the Standard 16-channel system, which covers all twelve principals with spares.

Most productions of Seussical need 16 to 20 wireless channels. Our starting point is the Standard 16-channel system, or 20 channels if you mic the Bird Girls and Wickersham Brothers individually. Seussical JR. usually fits in 12 channels.

Most productions of Matilda The Musical need 20 to 24 wireless channels. Our starting point is the Standard 20-channel system, or 24 channels if every featured child sings solo lines. Matilda JR. usually fits in 16 channels.

Most productions of The Addams Family need 12 to 16 wireless channels. Our starting point is the Standard 16-channel system, which covers the ten principals plus featured Ancestors.

Most productions of Disney’s Newsies need 20 to 24 wireless channels. Our starting point is the Standard 20-channel system, or 24 channels if most of your newsies have solo lines. Newsies JR. usually fits in 16 channels.

Most productions of Grease need 16 to 20 wireless channels. Our starting point is the Standard 20-channel system, which covers the Burger Palace Boys, the Pink Ladies and the featured adults. Grease School Version uses the same cast, and Grease Young@Part usually fits in 16 channels.

Most productions of Mean Girls High School Version need 16 to 20 wireless channels. Our starting point is the Standard 16-channel system, or 20 channels if you split the adult women into separate roles. Mean Girls JR. usually fits in 16 channels.

Most productions of The SpongeBob Musical need 16 to 20 wireless channels. Our starting point is the Standard 20-channel system, which covers the Bikini Bottom principals and the Electric Skates. The SpongeBob Musical: Youth Edition usually fits in 16 channels.

Most productions of Legally Blonde need 16 to 20 wireless channels. Our starting point is the Standard 20-channel system, which covers the principals and the Greek Chorus. Legally Blonde JR. usually fits in 16 channels.

Most productions of Les Misérables School Edition need 20 to 24 wireless channels. Our starting point is the Standard 24-channel system, since the show is sung through and many students have solo lines.

Most productions of Hairspray need 16 to 20 wireless channels. Our starting point is the Standard 20-channel system, which covers the principals plus the Dynamites. Hairspray JR. usually fits in 16 channels.

Most productions of Disney’s Aladdin JR. need 12 to 16 wireless channels. Our starting point is the Standard 16-channel system, which covers the principals, the narrators and featured roles.

Most productions of The Wizard of Oz need 12 to 16 wireless channels. Our starting point is the Standard 16-channel system, which covers the principals and the leading Munchkins. The Wizard of Oz Youth Edition usually fits in 12 to 16 channels.

Most productions of Footloose need 14 to 16 wireless channels. Our starting point is the Standard 16-channel system, which covers the principals and featured teens. Footloose Youth Edition usually fits in 12 to 16 channels.