Most productions of Annie need 12 to 16 wireless channels. Our starting point is the Standard 16-channel system. Annie JR. with a smaller cast usually fits in 12 channels.

Most productions of Bye Bye Birdie need 14 to 16 wireless channels. Our starting point is the Standard 16-channel system, which covers the principals and featured teens.

Most productions of Guys and Dolls need 14 to 16 wireless channels. Our starting point is the Standard 16-channel system, which covers the four leads and the featured gamblers. Guys and Dolls JR. usually fits in 12 to 16 channels.

Most productions of Fiddler on the Roof need 16 to 20 wireless channels. Our starting point is the Standard 20-channel system, which covers the family, the suitors and the villagers with solo lines. Fiddler on the Roof JR. usually fits in 16 channels.

Most productions of The Music Man need 16 to 20 wireless channels. Our starting point is the Standard 20-channel system, which covers the principals, the barbershop quartet and the Pick-a-Little ladies. The Music Man JR. usually fits in 16 channels.

Most productions of Once Upon a Mattress need 10 to 12 wireless channels. Our starting point is the Standard 12-channel system, which covers the principals with a spare. Once Upon a Mattress Youth Edition usually fits in 12 channels.

Most productions of Peter Pan need 14 to 16 wireless channels. Our starting point is the Standard 16-channel system, which covers the Darlings, the Lost Boys and the pirates with solo lines. Peter Pan JR. usually fits in 12 to 16 channels.

Most productions of Roald Dahl’s Willy Wonka need 16 to 20 wireless channels. Our starting point is the Standard 20-channel system, which covers the golden ticket winners and their parents. Willy Wonka JR. usually fits in 16 channels, and Willy Wonka KIDS in 12.

Most productions of Mary Poppins need 14 to 16 wireless channels. Our starting point is the Standard 16-channel system, which covers the Banks family and the featured roles. Mary Poppins JR. usually fits in 12 to 16 channels.

Most productions of The Sound of Music need 16 to 20 wireless channels. Our starting point is the Standard 20-channel system, which covers Maria, the Captain, all seven children and the nuns with solo lines.

Most productions of Little Shop of Horrors need 8 to 12 wireless channels. Our starting point is the Standard 12-channel system, which covers the principals, the three street urchins and the voice of Audrey II with spares. Smaller productions can use the 8-channel system.

Most productions of Godspell need 10 to 12 wireless channels. Our starting point is the Standard 12-channel system, which covers the full ten-person cast with spares.

Most productions of Rodgers + Hammerstein’s Cinderella need 12 to 16 wireless channels. Our starting point is the Standard 16-channel system, which covers the principals and featured roles. Cinderella Youth Edition and Cinderella KIDS usually fit in 12 channels.

Most productions of Joseph and the Amazing Technicolor Dreamcoat need 16 to 20 wireless channels. Our starting point is the Standard 20-channel system, which covers Joseph, the Narrators and all eleven brothers.

Most productions of Disney’s High School Musical need 14 to 16 wireless channels. Our starting point is the Standard 16-channel system, which covers the Wildcats, the Evans twins and featured students. High School Musical JR. usually fits in 12 to 16 channels.

Most productions of Disney’s The Lion King JR. need 14 to 16 wireless channels. Our starting point is the Standard 16-channel system, which covers the principals, the Rafikis and the hyenas. The Lion King KIDS usually fits in 12 channels.

Most productions of Disney’s Moana JR. need 12 to 16 wireless channels. Our starting point is the Standard 16-channel system, which covers the principals and the featured Ancestors.

Most productions of Disney’s Finding Nemo JR. need 14 to 16 wireless channels. Our starting point is the Standard 16-channel system, which covers the principals and the featured sea creatures.

Most productions of Disney’s Alice in Wonderland JR. need 14 to 16 wireless channels. Our starting point is the Standard 16-channel system, which covers both Alices and the featured Wonderland characters.

Most productions of Oklahoma! need 12 to 16 wireless channels. Our starting point is the Standard 16-channel system, which covers the principals and featured roles.