Most productions of Annie need 12 to 16 wireless channels. Our starting point is the Standard 16-channel system. Annie JR. with a smaller cast usually fits in 12 channels.

Most productions of Anything Goes need 14 to 16 wireless channels. Our starting point is the Standard 16-channel system, which covers the principals and the Angels.

Most productions of Monty Python’s Spamalot need 14 to 16 wireless channels. Our starting point is the Standard 16-channel system, which covers the knights, the Lady of the Lake and the featured roles. Spamalot School Edition uses a similar plan.

Most productions of Something Rotten! need 14 to 16 wireless channels. Our starting point is the Standard 16-channel system, which covers the principals and featured roles. Something Rotten! JR. usually fits in 12 to 16 channels.

Most productions of Anastasia need 14 to 16 wireless channels. Our starting point is the Standard 16-channel system, which covers the principals and the featured Romanovs. Anastasia: The Musical Youth Edition usually fits in 12 to 16 channels.

Most productions of Disney’s Descendants need 16 to 20 wireless channels. Our starting point is the Standard 20-channel system, which covers the four VKs, the Auradon kids and the villain parents.

Most productions of The Prom School Edition need 14 to 16 wireless channels. Our starting point is the Standard 16-channel system, which covers the Broadway stars, the students and the adults.

Most productions of Young Frankenstein need 12 to 16 wireless channels. Our starting point is the Standard 16-channel system, which covers the principals and featured villagers.

Most productions of Elf The Musical need 14 to 16 wireless channels. Our starting point is the Standard 16-channel system, which covers the principals and the featured New Yorkers. Elf The Musical JR. usually fits in 12 to 16 channels.

Most productions of The Hunchback of Notre Dame need 14 to 16 wireless channels plus choir mics. Our starting point is the Standard 16-channel system, which covers the principals and the featured congregants.

Most productions of Freaky Friday need 14 to 16 wireless channels. Our starting point is the Standard 16-channel system, which covers the Blake family and the featured students.

Most productions of We Will Rock You need 14 to 16 wireless channels. Our starting point is the Standard 16-channel system, which covers the principals and the featured Bohemians. We Will Rock You Young@Part usually fits in 12 to 16 channels.